My artwork is largely concerned with the extant social possibilities in our vernacular culture. I think of this as a posi-active body of work that is focused on renegotiating the routine ways we understand space and language. There's an insistence on action; the works all must do something. Their construction nears completion with participation. My working process involves research, preparatory drawings, sculptural production, and interpersonal actions. I take much guidance from social management and power distribution models. Participants are as much a part of the material of the work as the situation-specific materials that I employ.