Green Eyes, 2025, Natural and metallic fibers handwoven on digital Jacquard loom, linen, 30 x 42 inches
Talisman Tower, 2025, Natural fibers handwoven on digital Jacquard loom, glass beads, thread, and fabric dyes, 108 x 42" (double sided)
Talisman Tower, 2025, Natural fibers handwoven on digital Jacquard loom, glass beads, thread, and fabric dyes, 108 x 42" (double sided)
Insertion (Sicilian Lace), 2025, Natural fibers handwoven on digital Jacquard loom, linen, 32" x 40"
Insertion (Sicilian Lace), 2025, Natural fibers handwoven on digital Jacquard loom, linen, 32" x 40"
Detail: Insertion (Sicilian Lace), 2025, Natural fibers handwoven on digital Jacquard loom, linen, 32" x 40"
Public Figures, 2025, Metallic and cotton yarn handwoven on digital Jacquard loom, linen, 26" x 14"
Occhi, 2024, Fabric dye on cotton, 20" x 14"
Detail: Occhi, 2024, Fabric dye on cotton, 20" x 14"
Il Portafortuna con le Conchiglie, 2025, Hemp and gold yarn with mussel shells, steel rod, 48 x 17 inches
Il Portafortuna con le Conchiglie (Gold), 2025, Hemp and gold yarn with mussel shells, steel rod, 48 x 17 inches
Detail: Il Portafortuna con le Conchiglie, 2025, Hemp and gold yarn with mussel shells, steel rod, 48 x 17 inches
Gambatte, Toi Toi Toi , 2024, Natural fibers handwoven on digital Jacquard loom, 28" x 20" x 21"
Detail (right panel): Gambatte, Toi Toi Toi , 2024, Natural fibers handwoven on digital Jacquard loom, 28" x 20" x 21"
Detail (left panel): Gambatte, Toi Toi Toi , 2024, Natural fibers handwoven on digital Jacquard loom, 28" x 20" x 21"
Die Draumen Drücken, 2025, Natural fibers handwoven on digital Jacquard loom, linen, 41" x 44"
Detail: Die Draumen Drücken, 2025, Natural fibers handwoven on digital Jacquard loom, linen, 41" x 44"
Die Draumen Drücken, 2025, Natural fibers handwoven on digital Jacquard loom, linen, 41" x 44"
Crepi il lupo! , 2024, Four-color lithograph printed in collaboration with Carolyn Ogongpin at Tamarind Institute, 28" x 22" (unframed), Edition of 10
Detail: Crepi il lupo! , 2024, Four-color lithograph printed in collaboration with Carolyn Ogongpin at Tamarind Institute, 28" x 22" (unframed), Edition of 10
Supplicant, 2025, Sumi ink on handmade cotton paper, 8.25" x 11.75" (unframed)
Stutter, 2025, Natural fibers handwoven on digital Jacquard loom, linen, 25" x 19"
Detail: Stutter, 2025, Natural fibers handwoven on digital Jacquard loom, linen, 25" x 19"
Mucha Mierda, 2023, Handwoven digital weaving with poly, cotton, and paper yarns; handwoven and indigo dyed cotton, recycled denim, acrylic paint, dye remover, beads, silk thread, and felted naturally dyed wool, 40x30 inches
In Bocca al Lupo, 2023, Handwoven digital weaving with various recycled yarns, handwoven and indigo dyed cotton, synthetic dye, beads, silk and metallic embroidery thread, 42x31 inches
Mon Oeil!, 2023, Handwoven digital weaving with poly, cotton, metallic, and paper yarns, 56 x 42 inches
Detail of Mon Oeil!, 2023, Handwoven digital weaving with poly, cotton, metallic, and paper yarns, 56 x 42 inches
Lingua, Lengua, 2023, Wool and cotton handwoven on a digital jacquard loom with sequins, silk, denim, and leather, 18x14 inches (each)
Break → Time, 2023, Synthetic and natural dyes, spray paint, denim, digital printing on cotton twill, and thread, 35x28 inches
Free → Time, 2022, Indigo and dye remover, new and recycled denim, digital printing on cotton twill, and thread, 51x36 inches
Twist → Time, 2022, Natural and synthetic dyes, digital printing on cotton, recycled denim, 23 x 18 inches
Shield for Queer Kin: Protection, 2023/2018, Made in collaboration with Welly Fletcher, Rice-paste resist printed and soot/soya dyed cotton, digitally printed cotton, steel, CNC-carved cedar, sequins, and thread, 5.5 x 4 x 4 feet
Shield for Queer Kin: Protection, 2023/2018, Made in collaboration with Welly Fletcher, Rice-paste resist printed and soot/soya dyed cotton, digitally printed cotton, steel, CNC-carved cedar, sequins, and thread, 5.5 x 4 x 4 feet
Detail: Shield For Queer Kin
VV, 2018, Vintage magazine and book collage with metallic thread, custom frame, 12 x 8.5 inches
Scarf Play, 2018, Vintage magazine and book collage with metallic thread, custom frame, 20.5 x 11 inches
Lez Live, 2018, Vintage magazine and book collage with metallic thread, custom frame, 11 x 14 inches
LIVING _PACES, 2018, Altered book page, 11 x 8.5 inches
C_UNT__ HOUSE_, 2018, Altered book page, 11 x 8.5 inches
Dinah Doubles, 2022, Soot and soy milk on cotton, synthetic dye and resist, digital printing on cotton, batting, and thread [Dinah is the name of a long-running, lesbian newsletter (1975-1997) based out of Cincinnati, OH. Culled from the Ohio Lesbian Archives, the image in this custom textile is the Sept/Oct 1980 cover designed by Brenda S. Richardson.]
Clock, 2021, Walnut, indigo, turmeric, avocado pit, and synthetic dyes on digitally printed cotton, 44 x 45 inches
Detail: Clock, 2021, Walnut, indigo, turmeric, avocado pit, and synthetic dyes on digitally printed cotton, 44 x 45 inches
Flywheel, Velvet Dinah*, 2021, Cochineal, madder root, and weld on velvet and digitally printed cotton, 13.5 x 13.5 inches [* Dinah is the name of a long-running, lesbian newsletter (1975-1997) based out of Cincinnati, OH. Culled from the Ohio Lesbian Archives, the image in this custom textile is the Sept/Oct 1980 cover designed by Brenda S. Richardson.]
Sawblades, Reversed, 2021, Indigo, weld, madder, and cochineal dyes on denim, velvet, and digitally printed cotton, 33 x 32 inches
Sawblades (Figa), 2021, Weld and madder dye on silk and screen printed acrylic on synthetic dyed denim, 18 x 18 inches
Sawblades (Dinah*), 2021, Indigo and avocado pit dyes on denim and digitally printed fabrics, 18 x 18 inches [Dinah is the name of a long-running, lesbian newsletter (1975-1997) based out of Cincinnati, OH. Culled from the Ohio Lesbian Archives, the image in this custom textile is the Sept/Oct 1980 cover designed by Brenda S. Richardson.]
Dinah Doubles (Waste Not), 2021, Natural dyes on cotton, silk, and velvet; digitally-printed textiles, thread, and sequins, Approx 10 x 10 inches each, grid of twelve blocks
Dinah Doubles (Waste Not), 2021, Natural dyes on cotton, silk, and velvet; digitally-printed textiles, thread, and sequins, Approx 10 x 10 inches each, grid of twelve blocks
O.H. Coat, 2019, Recycled denim, hand-dyed, screen printed, and digitally-printed cottons, embroidery, batting, and sequins; This garment holds hxstories of regional LGBTQ+ struggles for civil rights. The lining is custom textile culled from the Ohio Lesbian Archives. Dinah was a long-running, local lesbian newsletter (1975-1997). The O.H. on the exterior of the jacket has a two-fold meaning. It honors Ohio (OH) as well as the recent Supreme Court case, Obergefell vs Hodges. The case was led by Cincinnati-based, Jim Obergefell, and led to the 2015 Marriage Equality Act that ensures equal marriage rights to LGBTQ+ couples.
O.H. Coat, 2019, Recycled denim, hand-dyed, screen printed, and digitally-printed cottons, embroidery, batting, and sequins; This garment holds hxstories of regional LGBTQ+ struggles for civil rights. The lining is custom textile culled from the Ohio Lesbian Archives. Dinah was a long-running, local lesbian newsletter (1975-1997). The O.H. on the exterior of the jacket has a two-fold meaning. It honors Ohio (OH) as well as the recent Supreme Court case, Obergefell vs Hodges. The case was led by Cincinnati-based, Jim Obergefell, and led to the 2015 Marriage Equality Act that ensures equal marriage rights to LGBTQ+ couples.
O.H. Coat, 2019, Recycled denim, hand-dyed, screen printed, and digitally-printed cottons, embroidery, batting, and sequins; This garment holds hxstories of regional LGBTQ+ struggles for civil rights. The lining is custom textile culled from the Ohio Lesbian Archives. Dinah was a long-running, local lesbian newsletter (1975-1997). The O.H. on the exterior of the jacket has a two-fold meaning. It honors Ohio (OH) as well as the recent Supreme Court case, Obergefell vs Hodges. The case was led by Cincinnati-based, Jim Obergefell, and led to the 2015 Marriage Equality Act that ensures equal marriage rights to LGBTQ+ couples.
O.H. Coat, 2019, Recycled denim, hand-dyed, screen printed, and digitally-printed cottons, embroidery, batting, and sequins; This garment holds hxstories of regional LGBTQ+ struggles for civil rights. The lining is custom textile culled from the Ohio Lesbian Archives. Dinah was a long-running, local lesbian newsletter (1975-1997). The O.H. on the exterior of the jacket has a two-fold meaning. It honors Ohio (OH) as well as the recent Supreme Court case, Obergefell vs Hodges. The case was led by Cincinnati-based, Jim Obergefell, and led to the 2015 Marriage Equality Act that ensures equal marriage rights to LGBTQ+ couples.
Garments for a Future Now (Wild Patience), 2021
Garments for a Future Now (Wild Patience), 2021
Garments for a Future Now
Misfits, 1979 (Sex and Art) pictured from Queer California exhibition with Gilbert Baker's original rainbow flag
Misfits, 1979 (Sex and Art), 2013, Hand-dyed, screenprinted, and sewn fabric; powder-coated aluminum, 68 x 48 inches
I Belong to a Closed Group with No Name*, 2018, Recycled flag nylon, leather, cotton with soot/soya printing and rice-paste resist, sequins, button, rope, thread, Inkle weaving, vintage Japanese braid, acrylic and dye-remover screen printing on cotton, and canvas, 72 x 48 inches [*Title is from a T-shirt in the Samois archive at the GLBT Historical Society in San Francisco, CA.]
Detail: I Belong to a Closed Group with No Name*, 2018
Gestures (Proteggere, Rubare), 2018, Hand-dyed and hand-printed fabrics with indigo, madder, soot/soya dyes and acrylic on various fabrics such as used table cloths, vintage Japanese linen, and cotton kimono fabric; vintage Japanese silk, Japanese denim (new), American denim (new), deconstructed denim jeans pocket, screenprint on paper, digital print on fabric, recycled American flag cut-offs, and thread, 96 x 72 inches (two-sided)
Homo-Hime, 2018, Hand-dyed and hand-printed fabrics with indigo, madder, soot/soya, acrylic on various fabrics such as used table cloths, vintage Japanese ikat kimono fabric, cotton kimono fabric; vintage Japanese silk, Japanese denim (new), deconstructed denim jeans, dog toy eyes, digital print on fabric, and thread, 72 x 48 inches (two-sided)
Verso: Homo-Hime, 2018, Hand-dyed and hand-printed fabrics with indigo, madder, soot/soya, acrylic on various fabrics such as used table cloths, vintage Japanese ikat kimono fabric, cotton kimono fabric; vintage Japanese silk, Japanese denim (new), deconstructed denim jeans, dog toy eyes, digital print on fabric, and thread, 72 x 48 inches (two-sided)
Horz., 2018, Hand-dyed and hand-printed fabrics, deconstructed denim jeans, and thread, 34 x 24 inches
Third Eye, 2018, Hand-dyed and hand-printed fabrics, deconstructed denim jeans and shirt, dog-toy eyes, and thread, 32 x 24 inches
Toucher Trouble (Poison Ivy), 2018, Recycled flag nylon, acrylic, thread, and cotton, 21 x 19 inches
Toucher Trouble (Poison Ivy), 2018, Recycled flag nylon, acrylic, thread, and cotton, 21 x 19 inches
Revolt, She Said, 2017, Recycled flag material, thread, gromets, and hand-woven ropes, 96 x 68 inches
1984, 2018, Hand-dyed and resist-painted cotton, acrylic on paper, thread, sequins, and found lotto tickets, 12 x 12 inches
Black Swans, 2012, Acrylic on canvas, 11.5 x 8.75 inches
Jury Box, 2010, Acrylic on canvas, 54 x 156 inches each panel
![Qui Vive (Be Alert!),* Denim, 2016, Vintage garment, acrylic, thread, cotton batting, and muslin, 30 x 60 inches [*Early motto and logo of the Daughters of Bilitis (the first Lesbian political organization, started in San Francisco 1955)]](https://images.squarespace-cdn.com/content/v1/5fdc16b2389a114d25674e63/1610082466262-P7WWHLJXL6C1QT0BLP9Y/Curreri-qui.vive_web.jpg)
Qui Vive (Be Alert!),* Denim, 2016, Vintage garment, acrylic, thread, cotton batting, and muslin, 30 x 60 inches [*Early motto and logo of the Daughters of Bilitis (the first Lesbian political organization, started in San Francisco 1955)]
Qui Vive (Be Alert!),* Three-Up, 2017, Deconstructed denim jeans, acrylic, thread, cotton batting, muslin, and brass rings, 38 x 60 inches [* Translates to “Be Alert;” Early motto and logo of the Daughters of Bilitis (the first Lesbian political organization, started in San Francisco in 1955)]
Qui Vive (Be Alert!),* Red, 2016, Vintage garment, acrylic, thread, cotton batting, and powder-coated aluminum frame, 24 ½ x 30 ½ inches [*Early motto and logo of the Daughters of Bilitis (the first Lesbian political organization, started in San Francisco 1955)]
Qui Vive (Be Alert!),* Red, 2016, Vintage garment, acrylic, thread, cotton batting, and powder-coated aluminum frame, 24 ½ x 30 ½ inches [*Early motto and logo of the Daughters of Bilitis (the first Lesbian political organization, started in San Francisco 1955)]
Installation image from Queer California exhibition at Oakland Museum, 2019
Protection for the Disquiet, 2016, Acrylic and rabbit skin glue on canvas with artist frame made of casein on oak, 11 x 12 inches
Giovani's Room, 2016, Fabric dye and remover, acrylic, and rabbit skin glue on cotton mounted to panel, 24 x 19 inches
Giovani's Room, 2016, Fabric dye and remover, acrylic, and rabbit skin glue on cotton mounted to panel, 24 x 19 inches
